Miku is enfleshed at the peak of the database. Not only is her physical self a clear aggregate of moe-elements but she is, quite literally, the mascot for a Vocaloid database company, Crypton Future Media. She was born from a database to sell a database, and gained such popularity that she then became constantly re-databased across fansites such as TINAMI. Miku subsists entirely off of this fragmentation-aggregation-fragmentation’ (FAF’) logic. She was designed for marketability, designed from a quantitative analysis of what would evoke affection. She was designed from a vocal database, one that took a real woman’s real voice, fragmented it into its constituent sounds, affectations, words, and syllables, mechanized them and superimposed a saccharine, synthetic, vocal acousmetre. Saki Fujita, the woman referred to and revered as Miku’s “Vocal Provider” now does impressions of Miku, so alien has her own voice become, so fragmented and aggregated. 

Miku is fragmentation and databasing all the way  d
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